About
Hi, I'm Aleksander. I’ve long been fascinated by the potential of clay as a medium for 3D printing. As an architect by training, I’ve always been drawn to the intersection of structure, material, and form. Over the past few years, I’ve immersed myself in ceramic 3D printing – a process that has opened up entirely new ways of thinking about design and making. This technology allows me to translate ideas into tangible, one-of-a-kind ceramic pieces. I aim to create objects that are functional, visually engaging, and thoughtfully made. When developing a new product, I try to follow the logic of 3D printing as closely as possible – something I believe is visible in the final result. 3D printing is still full of untapped potential, and I’m constantly exploring new ways to use it. I'm excited to see where this journey leads – and I’d love to share that process with you.
“By exploring at the intersection of material and technology, something unexpected begins to emerge — a form that couldn’t be shaped by hand alone, and wouldn’t exist if left only to code.”
The process. Clay was never just a material to me. It's alive. Soft, sensitive, unpredictable. You can shape it, but only if you listen. It doesn't rush. It doesn't lie. It holds memory—of water, of hands, of air. It warps if pushed too far. It folds if can not support itself. It teaches patience. That's why printing with clay is never just technical. It's a dialogue. The printer moves with mechanical precision—clean lines, predictable rhythm. But the clay responds in its own time, its own curves. The result is always a kind of negotiation. A dance between what can be programmed, and what can't.